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EFL Movie Study Guide for:
Ever After, A Cinderella Story
Story: A Cinderella story
without the magic. France’s Crown Prince wants to run away from his
overbearing father until a “modern-thinking” young woman captures his
heart. But will 16th century rules and her evil step-mother keep these two
apart? The young lady must overcome remarkable odds before she can wear a
crown. Stars: Drew Barrymore & Angelica Huston; directed by Andy Tennant.
(PG; 1998; 2 hrs; romance, humor, and a bit of history).
Setting:
In the 1800s, the Queen of France calls in the brothers Grimm to “set the
record straight” (give truthful facts) about a girl in one of their
stories. That girl lived in the 1500s with her selfish step-mother and two
step-sisters. The queen tells how the prince of France fell in love with
this “cinder girl.”
Note:
In the 1500s, there was a big gap between social classes, and you could
tell one’s class (or “station”) by his/her clothes and speech. You could
get punished for “dressing above your station”—i.e., for wearing nice
clothes or pretending to be in a higher class. This fictional story is set
in history and in France, and a lot of the dialog has an upper-class
French flavor. Therefore, the language is more formal than you would use
in everyday English. Recommended for advanced English learners.
People and proper
nouns:
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Your Majesty/Your
Highness: the way you address the King, Queen or other members of their
family (also called “The Royal Court”).
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courtiers: people in
society in the upper class who were allowed to mix socially with each
other and with the king’s family.
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monsieur (or sir)/madame
(the way to address someone if married); monsieur(sir)/mademoiselle (if
unmarried)
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The brothers Grimm:
Two German brothers who spent years collecting and researching folk tales
(plus history and linguistics) early in the 19th century. Their collection
(known as "Grimm's Fairy Tales") included many of the West’s most famous
stories, including Cinderella, Hansel and Gretel,
Rapunzel and Rumpelstiltskin.
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Danielle de Barbarac:
the young lady at the center of this story
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Nicole de Lancret:
Danielle’s mother, who had died when Danielle was a small child.
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Auguste: Danielle’s
loving father; a wealthy businessman who marries again about a week before
he died of a heart attack. Although wealthy enough to own land, Danielle’s
parents were not courtiers.
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Baroness Rodmilla de
Ghent: Danielle’s stepmother. Her daughters are Marguerite (who is very
selfish) and Jacqueline (who has a kind, simple heart, and who is afraid
to stand up to her mother or sister)
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Maurice: the manager
of Auguste’s house/manor. He and his wife were loved and respected
servants, but Rodmilla sells Maurice to get money. Danielle “dressed above
her station” (against the law) in order to buy Maurice back—this led to
her first conversation with the prince.
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Monsiuer le seigneur:
I think this is French for “master”—the respectful way Maurice addresses
his boss (Auguste)
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Gustave: Danielle’s
childhood friend, who also plays a role as a young adult (and painter)
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Utopia:
a book by Sir Thomas More about the “perfect” world; Danielle loves this
book because it was the last thing her father gave her before he died
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King Francis: King of
France
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Prince Henry: the
Crown Prince
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Signor Leonardo da
Vinci (達文西): a famous Italian inventor and painter (of the Mona Lisa), who many
people think was “ahead of his time.” The prince calls Da Vinci “the
founder of forward thinking” while King Henry is the “the king of
backward.”
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Captain Laurent: a
senior army leader and friend/body guard to the Prince
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Comtesse (in French),
Countess (in English). This courtier’s social level would be higher than a
Baroness, which is one reason why Danielle’s stepmother is mad when
Danielle lies by saying her mother is a Comtesse.
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A few terms
(vocabulary):
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cinders, ash, soot:
the dirty stuff left after a fire (and around a fireplace)
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folk tales:
traditional stories about exciting imaginary events (though sometimes they
started about something true and then were exaggerated)
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to slip his shoe (of a
horse): when a horse accidentally loses his horseshoe
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fortnight: two weeks (BrE)
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to be coy: unwilling
to give information
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everyday rustics:
common people, peasants, commoners (老百姓)
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arrogant: behaving in
an unpleasant or rude way because you think you are more important than
other people
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an interlude: a short
romantic talk or relationship, but normally a quiet time in the middle of
a play, war, etc.
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a masked ball; a
masque: a dance, at which all of the people wear a mask or costume
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compromise: an
agreement that is achieved after everyone involved accepts less than what
they wanted at first, or the act of making this agreement
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to be engaged: to
promise to marry someone (this was a lie that Rodmilla told the queen)
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an arranged marriage:
when fathers agree that their children should marry, without asking the
children
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divorce: to end a
marriage (this was rare in Europe—and worldwide—until modern times when
marriage was based on feelings instead of a promise, even if the promise
was made by one’s parents)
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intrigue: (n) secret
plans to harm sb, or something mysterious and therefore interesting
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antique: something old
and usually valuable because of its age (but in this movie it used as an
unkind joke about Danielle’s mother’s old dress)
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contradiction: a
difference between two statements, beliefs, or ideas about something that
means they cannot both be true
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passion: a very strong
feeling for or about something or someone
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to be compensated: to
be paid for doing something
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flattery: praise
(often used humorously or to say you don’t believe the praise)
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a wealthy benefactor:
a rich person who will take care of you
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monastery: a place
where religious people live and study. Before the printing press was
invented, the monks (men who lived in a monastery) copied books by hand,
so they had the biggest libraries and had more knowledge than most people.
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gypsy: an ethnic group
of people who travel from town to town, often making a living by
entertaining others (sing/dance) or by thief (these people have been
looked down on by many “settled” people groups)
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an insidious joke:
(when Rodmilla found out that Danielle had called her mother a Comtesse) a
seemingly harmless lie that ends up causing great harm or that makes
others look stupid
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to be fickle:
undependable because sb changes his/her mind a lot (“men are fickle”)
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to be feisty:
(negative) to show a strong, determined character, and being willing to
argue
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to run away: to leave
home (or a prison, the army, etc.) without permission
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stubborn: unreasonable
or difficult to deal with because you won’t change your mind
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to arrive in style: to
come to an event in a way that is comfortable and/or very expensive
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Sentences from the
movie:
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1. I can still whip
you. I slaughtered him. He needs a good whipping. It can’t save you from a
sound lashing. (to “whip” someone is to beat them in a fight or to punish
them with a leather whip, a lash, or something similar)
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2. We’re two peas in a
pod. (meaning: we are exactly the same in many ways)
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3. It’s tradition.
(meaning: this is something our family has always done for a long time in
this situation)
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4. A sapling cannot
grow in the shadow of a mighty oak. (a small tree can’t grow when it is
too close to a giant tree—nor can a prince grow up when under the control
of his father the king)
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5. I want to be free
of my gilded (i.e., gold) cage.
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6. Have you lost your
marbles? (are you crazy? or that’s a very bad idea)
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7. “If you suffer your
people to be ill-educated and their manners corrupted from infancy, and
then punish them for those crimes to which their first education disposed
them, what else is to be concluded but that you first make thieves and
then punish them?” (meaning: If you won’t
let your people get an education, they will behave badly. If you punish
such people for acting badly, then you have made them bad and punished
them for what you made them.)
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8. The common people
are the legs Royal people stand on.
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9. You were born to
privilege, and with that comes specific obligations. (said three times in
the movie; privilege means special advantage, wealth or position;
an obligation is a legal or moral duty)
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10. Bite your tongue.
(meaning: you shouldn’t say that because it would hurt someone’s feelings
or make things worse)
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11. How can anyone
love a pebble in their shoe? (a pebble is a small rock; how can you
love someone who irritates you)
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12. I’m a businessman,
not a philanthropist. (meaning: I’m not a rich man who likes to give away
money to help others—there is always something in the deal that helps me)
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13. Waste not, want
not. (If we use this carefully, we’ll still have some if we need it later)
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14. You can’t leave
everything to fate; she is busy. Sometimes you have to help her. (fate
is that mysterious power that some people think control what happens in
people's lives)
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15. How do you live
with this kind of passion? You have more conviction in one memory than I
have in my entire being. (conviction is a strong feeling about
something about which you have no doubts)
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16. Your mouth has me
hypnotized. (meaning: What you say is so interesting that I can’t think of
anything else.)
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17a. I know that a
life without love is no life at all.
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17b. And love without
trust—what of that?
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Discussion
1. Read sentences 1-3
again and tell the group about a time you were “whipped,” two people who
are “peas in a pod” or a family tradition.
2. What does #4 mean?
Can you think of examples or illustrations?
3. Read sentence #6
and tell us about something someone told you (or that you did) that
sounded crazy.
4. Discuss #7. Do you
agree or disagree? Why do bad people act bad, and why aren’t more people
bad—that is, where does “goodness” come from?
5. Do you agree or
disagree with #8&9. Explain. What does this say about the role or duty of
people who lead others?
6. Read #14. Do you
believe in fate? Why or why not?
7. Read #15. What is
something you are passionate about or about which you have great
conviction?
8. Discuss 17a and
17b. Do you agree with 17a? How important is trust to love?
What else is important in true love?
Note from an
interesting website about the film and story: There are
approximately 500 versions of the Cinderella story in circulation, making
it the most famous tale in the world. The earliest apparently originated
in China where the preoccupation with tiny feet found a highly
satisfactory outcome in the search for someone who could wear an
exquisite, small glass slipper. It has, however, usually been a story of a
passive woman waiting for a strong, handsome (and nearly silent) prince to
rescue her. Until now.
From: http://members.aol.com/gracefalls/story.html
(I visited May 10, 2006) |

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